Mail call mondays season 2 full#

In some ways, Skyler is as trapped as Jesse, whom we’ll get to in a moment.) A woman in a neighboring car gives her a judgmental glare as she is about to light up, and you can see Skyler almost not indulge, but she finally just needs her own tiny rebellion and she lets out a big mouthful of smoke. (At episode’s end, she even goes out for a cigarette despite being pregnant. All of this might have worked to smooth the waters over somewhat, but Walter has a tendency to overcompensate, offering up an elaborate excuse for why he has a second cellphone that’s so clearly a lie that Skyler just walks out on him mid-explanation and takes off for the day with no real announcement of where she’s going. out for driving lessons and apologizing for just how strange he’s seemed lately to Skyler.

Mail call mondays season 2 full#

He’s trying, as if nothing happened, to go back to being the good family man he was before his cancer diagnosis, cooking up a full breakfast for his wife, Skyler (Anna Gunn), and his son, Walter Jr. Our A-plot, as always, has to do with the beleaguered and backsliding Walter White (Bryan Cranston), who’s trying his best to put the events of the season’s first three episodes, when he found himself abducted by violent drug dealer Tuco (Raymond Cruz) and trying to cook up an alibi to cover for his disappearance during same, behind him. For those of us who love how the show gets into the claustrophobic psychologies of its characters, it was yet another highlight in a second season that’s improved on the abbreviated first season in almost every way, but for those who think the show is just a molasses-like soup of depressing moments, it must have been well-nigh unbearable. The show already feels fairly methodically paced but removing that cat-and-mouse aspect of the show’s template makes it feel even slower, in a way. “Down” is the first episode of Breaking Bad’s second season to not spend significant amounts of time following the investigation into the Albuquerque drug trade. Like last year’s much-acclaimed film Wendy and Lucy, his descent into some American underbelly becomes a story about just how easy it is to blip off the map, to find yourself completely and utterly gone.

In the other, the man’s partner in crime confronts the fact that he’s being cast out of the place he’s been staying and he doesn’t really have a backup plan. In one, a man tries to reconcile with his wife after his secrets and lies take their toll on his marriage. “Down,” written by Sam Catlin and directed by John Dahl, is evenly split between two deliberately paced stories that converge at the end. If the United States makes it easy to follow a certain path to some form of success, it also makes it a little too easy for someone to get lost.